With various national brands which full of traditional cultural genes with Chinese characteristics entering the international vision, the export of traditional culture has gained more channels. Dayong Xincheng brand integrates and innovates token culture and gold jewelry for the first time, with the attitude of “the inheritor of Chinese token culture, the leader of Chinese token jewelry, and the pioneer of China’s letter gift space”, to realize the new appearance of China’s brand on the worldwide stage.
The token culture carries the values of the Chinese people’s “benevolence, righteousness, propriety, wisdom and faith”, and also reflects people’s solemn sense of emotional bondage. The designer takes the simple aesthetics with oriental charm as the design intention, and depicts the two-way rush of man and gold stone in the thousands of passages of time, so as to launch an “encounter” evidenced by tokens. Extracting the interest of the garden, through the abstract picture scroll form, multiple screen styles, ultra-visual spatial level concept, through the actual form sublimation of the ” propriety faith ” texture, make people feel the oriental splendor of gold jewelry in the short separation from the real world.
Da Yonghui is located in the old commercial port of Jinan.In order to avoid too large differences between the building and the interior style, the main entrance is built with translucent, perforated metal plates, and the light forms a sense of transparency of the curtain, which echoes the indoor light environment and ensures indoor lighting demand.
The first floor is the “Encounter” themed token exhibition hall, which provides exhibition space for curated exhibitions with different themes.
Walking indoors, the screen as the boundary to form a entrance, planning to browse the forced flow line, through artificial landscaping slowly step into the exhibition hall, the curved exhibition wall is like a picture scroll unfolding in front of the eyes, wandering in the corridor, and the collections of different eras have unexpected encounters, the mineral material turned into gold as the central end scenery booth, which can be displayed by different curatorial themes.
The function of the second floor is divided into living room, carries the functions of hospitality and sharing.
Nearly 40 square meters of salon activity room, semi-transparent acrylic clip and paper large screen, large opening and closing transparent door leaf, in the echo of natural light, balance the unique oriental subtlety and openness. This kind of silence far from the world, only one eye and one ear, seems to linger in the sound of Lang Lang’s books that span the ages, adding a rich humanistic atmosphere to future activities.
The screen is not only a unique freehand symbol in the project space, but also plays a balancing role in the balance between interior and architectural design in addition to reflecting the beginning and transformation of the oriental garden. The original building has high and narrow windows, and after the semi-transparent screen is blocked, natural light and indoor light are fused, and the virtual and real are achieved to achieve a wonderful soft vision.
The third floor is a bespoke workshop, where prospective customers of custom jewellery will be discussed in detail in the more intimate VIP room on the third floor. The designer creates a sense of exclusivity with a thicker tone, and the atrium end scene that echoes the first floor is hidden behind the background wall of the stairwell, and all good encounters only occur after stepping into this field, which is combined with the hanging of the sloping roof and the splash of skylight, which deepens this sense of high-quality haze.
The three reception rooms are themed “boiling snow”, “Bodhi” and ” Liren”. In the selection of furniture accessories, more attention is paid to the spiritual inheritance of the oriental sense, and the intention to avoid replicas is to ensure the sense of the era of jewelry, which is a unique existence in the space.
飾品供應：雅思薈 南陶北窯 邸高家居 善美金屬 撫雲閣 五洲堂